Archive release
In the Shadow of the Sun (Soundtrack by Throbbing Gristle)
<div class="main_2FbVC" style="order:10"> </div> <div class="main_2FbVC" style="order:13"></div> <div class="main_2FbVC" style="order:13"> <div class="content_1TFzi"> <ul class="list_3ky-r"> <li>Manufactured By – Doublevision</li> <li>Distributed By – Doublevision</li> </ul> </div> </div> <div class="main_2FbVC" style="order:11"></div> <div class="main_2FbVC" style="order:11"> <div class="content_1TFzi"> <ul class="list_1HutQ"> <li>Film Director [Directed-by] – Derek Jarman</li> <li>Film Producer – James Mackay</li> <li>Music By – Throbbing Gristle</li> </ul> </div> </div> <div class="main_2FbVC" style="order:15"></div> <div class="content_1TFzi"> <div class="notes_1LXvZ">From back of case:<br /> 'This film was made entirely on Super 8mm film during 1972-74 at the cost of approximately £100. The music was improvised to a VHS video cassette of the finished film onto an 8 track tale deck at the cost of just over £100. The completed film with soundtrack was first screened at the British Film Festival in February 1981.<br /> Throbbing Gristle were Chris Carter, Cosey Fanni Tutti, Peter Christopherson and Genesis P. Orridge. The result of this unique collaboration was always intended as a first move towards a genre of Ambient music videos, watchable many times, in much the same way as Ambient music is used to enhance or complete environment. It has no linear, entertainment or musical intent outside that function.'</div> </div> 1 In The Shadow Of The Sun 54:00 <br/>
Tracklist
- 54:00
Credits & notes
Manufactured By – Doublevision Distributed By – Doublevision Film Director [Directed-by] – Derek Jarman Film Producer – James Mackay Music By – Throbbing Gristle From back of case: 'This film was made entirely on Super 8mm film during 1972-74 at the cost of approximately £100. The music was improvised to a VHS video cassette of the finished film onto an 8 track tale deck at the cost of just over £100. The completed film with soundtrack was first screened at the British Film Festival in February 1981. Throbbing Gristle were Chris Carter, Cosey Fanni Tutti, Peter Christopherson and Genesis P. Orridge. The result of this unique collaboration was always intended as a first move towards a genre of Ambient music videos, watchable many times, in much the same way as Ambient music is used to enhance or complete environment. It has no linear, entertainment or musical intent outside that function.'
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