the insert was assembled by (uncredited) Richard Boon, Buzzcocks manager & many other things.
2020-05-09T07:28:56.000Z
Archive release
"BANG" - An Open Letter
<div> <div id="tracklist" class="section tracklist" data-toggle="tracklist"> Tracklist <div> </div> <div class="section_content"> A1 Suppressed Noise <br/> A2 Inherent Aggression <br/> A3 All Largely Propaganda <br/> A4 A Sound & Colour Analogy <br/> A5 Acoustic Lens Facsimile <br/> A6 "BANG!" <br/> A7 The Morality Of Sound <br/> A8 The Location Of Detached Sounds <br/> B1 Psychophon Installation Test Tape <br/> B2 Location Screening Exercise <br/> B3 The Limitations Of Science <br/> B4 Echoes In The Body <br/> B5 "Robolised" Atomium Dawn Chorus <br/> B6 A Demonstration Of The Non-Medical Use Of Microphones <br/> B7 Owl Ionisation Recording (1968) <br/> </div> </div> <div class="section companies toggle_section toggle_section_remember" data-toggle-section-id="companies" id="companies"> Companies, etc. <div class="section_content toggle_section_content"> <ul class="list_no_style"> <li>Phonographic Copyright (p) – Doublevision</li> <li>Copyright (c) – Doublevision</li> <li>Pressed By – MPO</li> </ul> </div> </div> <div class="section credits toggle_section toggle_section_remember" data-toggle-section-id="credits" id="credits"> Credits <div class="section_content toggle_section_content"> <ul class="list_no_style"> <li>Lacquer Cut By – Porky (5)</li> <li>Performer [All Material By] – Andrew M. McKenzie*, Christopher R. Watson*, Dr. Edward Moolenbeek</li> <li>Sleeve – Fire (30)</li> </ul> </div> </div> <div class="section notes toggle_section toggle_section_remember" data-toggle-section-id="notes" id="notes"> Notes <div class="section_content toggle_section_content">Original recordings compiled & mastered at Storbreen, Sweden, 1972. Facilities provided by ROBOL. Sleeve by Fire, 1984. <br /> All material by the Hafler Trio. <br /> <br /> "...How, and at what point in the nervous system does the received signal induce the emission of a 'wrong' signal at the motor output? Is it the result, for example, of interference with the normal acoustic feedback, if any? Or what?" <br /> <br /> Includes a double-sided black and white insert with photographs, notes on each track, and a selected bibliography of the works of Robert Spridgeon.</div> </div> </div>
Available at VOD →Listed for sale on the VOD platform — tape-mag stays an archive.
Tracklist
- A1Suppressed Noise
- A2Inherent Aggression
- A3All Largely Propaganda
- A4Sound & Colour Analogy
- A5Acoustic Lens Facsimile
- A6"BANG!"
- A7The Morality Of Sound
- A8The Location Of Detached Sounds
- B1Psychophon Installation Test Tape
- B2Location Screening Exercise
- B3The Limitations Of Science
- B4Echoes In The Body
- B5"Robolised" Atomium Dawn Chorus
- B6Demonstration Of The Non-Medical Use Of Microphones
- B7Owl Ionisation Recording (1968)
Credits & notes
Lacquer Cut By – Porky (5) Performer [All Material By] – Andrew M. McKenzie*, Christopher R. Watson*, Dr. Edward Moolenbeek Sleeve – Fire (30) Phonographic Copyright (p) – Doublevision Copyright (c) – Doublevision Pressed By – MPO Original recordings compiled & mastered at Storbreen, Sweden, 1972. Facilities provided by ROBOL. Sleeve by Fire, 1984. All material by the Hafler Trio. "...How, and at what point in the nervous system does the received signal induce the emission of a 'wrong' signal at the motor output? Is it the result, for example, of interference with the normal acoustic feedback, if any? Or what?" Includes a double-sided black and white insert with photographs, notes on each track, and a selected bibliography of the works of Robert Spridgeon.
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