Archive release

Music For Voices, Instruments & Electronic Sounds

Kenneth Gaburo · 1968 · Vinyl-Lp · US · Nonesuch, H-71199

<div> <div id="tracklist" class="section tracklist" data-toggle="tracklist"> Tracklist&nbsp; <div>&nbsp;</div> <div class="section_content"> A Antiphony III (Pearl-White Moments) 16:24 <br/> B1 Exit Music I: The Wasting Of Lucrecetzia 3:43 <br/> B2 Antiphony IV (Poised) 9:24 <br/> B3 Exit Music II: Fat Mille&#39;s Lament 4:34 <br/> </div> </div> <div class="section credits toggle_section toggle_section_remember" data-toggle-section-id="credits" id="credits"> Credits <div class="section_content toggle_section_content"> <ul class="list_no_style"> <li>Art Direction &ndash; William S. Harvey</li> <li>Composed By, Liner Notes &ndash; Kenneth Gaburo</li> <li>Coordinator &ndash; Teresa Sterne</li> <li>Design [Cover] &ndash; Elaine Gongora</li> <li>Engineer &ndash; Carl Volkers</li> </ul> </div> </div> <div class="section notes toggle_section toggle_section_collapsed toggle_section_remember" data-toggle-section-id="notes" id="notes"> Notes <div class="section_content toggle_section_content">Antiphony III (Pearl-White Moments) (1962) 16 voices &amp; electronics; commissioned in 1960 by the Fromm Music Foundation; composed during 1962-63 at the Yale and Unversity of Illinois Electronic Music Studios; premiered on February 21, 1967 at the University of Chicago <br /> <br /> Exit Music I: The Wasting Of Lucrecetzia (1964) concr&egrave;te &amp; electronic sounds <br /> <br /> Antiphony IV (Poised) (1967) voice, piccolo, bass trombone, double-bass &amp; electronics; commissioned by the University of Illinois Contemporary Chamber Players in 1966; premiered at Smith College, January 23, 1968 <br /> <br /> Exit Music II: Fat Mille&#39;s Lament (1965) concr&egrave;te &amp; electronic sounds <br /> <br /> This album marks the recording debut of the New Music Choral Ensemble and members of the University of Illinois Contemporary Chamber Players.</div> </div> </div>