Archive release
split - Manipulation (Live Extracts) / Death Of Saint Jarnaii Singh Bhindranwaie
<div> <div id="tracklist" class="section tracklist" data-toggle="tracklist">Tracklist <div> </div> <div class="section_content">A –F:A.R. Manipulation (Live Extracts) 20:04 <br /> B –Muslimgauze Death Of Saint Jarnaii Singh Bhindranwaie 9:08 </div> </div> <div class="section credits toggle_section toggle_section_collapsed toggle_section_remember" data-toggle-section-id="credits" id="credits">Credits <div class="section_content toggle_section_content"> <ul class="list_no_style"> <li>Artwork [Back Collage] – Ivan Iusco</li> <li>Artwork [Front Cover] – Mauro Guazzotti</li> </ul> </div> </div> <div class="section notes toggle_section toggle_section_remember" data-toggle-section-id="notes" id="notes">Notes <div class="section_content toggle_section_content">Limited edition of 100. <br /> <br /> The F:A.R. track is a mix of live extracts: Napoli 1988, Milano 1986, Saragozza 1986, Parma 1987, Milano 1988. <br /> The Muslimgauze track title, on the insert, is misspelled. It should read Bhindranwale and not Bhindranwaie. Also there appears to be an error in the actual title. The track on this recording is a version of "Political Asylum" that appeared on the "Blinded Horses" release.</div> </div> </div>
Tracklist
- A–F:A.R. Manipulation (Live Extracts)
- B–Muslimgauze Death Of Saint Jarnaii Singh Bhindranwaie
Credits & notes
Tracklist A –F:A.R. Manipulation (Live Extracts) 20:04 B –Muslimgauze Death Of Saint Jarnaii Singh Bhindranwaie 9:08 Credits Artwork [Back Collage] – Ivan Iusco Artwork [Front Cover] – Mauro Guazzotti Notes Limited edition of 100. The F:A.R. track is a mix of live extracts: Napoli 1988, Milano 1986, Saragozza 1986, Parma 1987, Milano 1988. The Muslimgauze track title, on the insert, is misspelled. It should read Bhindranwale and not Bhindranwaie. Also there appears to be an error in the actual title. The track on this recording is a version of "Political Asylum" that appeared on the "Blinded Horses" release.
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