Synkronos Music

About

Synkronos Music thrived in the charged air of the 1980s United States, an epoch when experimental soundscapes were still uncharted territories. The label's brief existence from 1984 to 1990 yielded a compact yet potent archive, predominantly sculpted in the cassette format — a choice that amplified the lo-fi, intimate nature of their releases. The Nightcrawlers and Xisle became the label's most recurrent voices, weaving tapestries of atmospheric soundscapes and abstract compositions across six releases each, with tapes like "Shadows Of Light" and "Perchance To Dream" echoing within liminal spaces. Xisle's "The Sound Museum" in 1990 stands as a pivotal release, encapsulating the label's ethos of process-driven sonic exploration. Meanwhile, Andrew D. Rath's "Quantum" and Steve Brenner's collaborative work "Stellar - Tunnel" with Peter Gulch navigated the fractal edges of experimental sound, embracing tape manipulation and atmospheric density. The label's catalog, with its emphasis on cassette, resonates with a tactile intimacy, a preference that underscores the lo-fi aesthetics synonymous with Synkronos Music. The influence of 1980s avant-garde currents is palpable throughout, as the label's artists embraced interdisciplinary approaches to sound. Synkronos Music's catalog remains a testament to the era's adventurous spirit, where each release served as a sculptural sound artifact, a moment captured in the magnetic whir of cassette tape.