Steinklang Industries

About

Steinklang Industries emerged from Austria in 1992, a label sculpting industrial soundscapes that resonate with harsh, unyielding textures. Over seven years, it released twelve pivotal works on analog formats, mostly LPs, with a single VHS—a rarity even within experimental circles. The label's signature lay in its integration of political themes with auditory aggression, manifesting in releases like "Blut Und Boden (Metal Box)" by Rasthof Dachau, a visceral testament to the genre's potential to provoke and disturb. The roster included artists such as Atrox and Genocide Organ, whose "Schmerztherapie 93" visually and sonically encapsulated the industrial ethos through VHS—a format choice that itself challenges the conventional. Irikarah's "Kampf-Sequenzen" stands as a significant landmark in the 1990s scene, merging raw sound with conceptually driven packaging. Deutsch Katholische Feindschaft's "Schmerzgrenze" further embodied the label's commitment to the physicality of music, with its unique packaging becoming a defining characteristic. Steinklang Industries did not merely release music; it constructed interdisciplinary artifacts. Each piece was an exploration of format preference and political dimension, inviting the listener into a liminal space where sound and ideology collide. The archives hold Genocide Organ / Rasthof Dachau's collaborative video project and White Hospital's "Holocaust," both of which crystallize the label's role as a crucible for experimental and industrial sound.