Nude Records

About

Nude Records emerges from the interstitial spaces of London's sonic landscape, a short-lived yet resonant echo from 1991 to 1994. Saul Galpern, the catalyst behind this experimental venture, crafted a label that thrived in the liminality of the underground, challenging conventions with its cassette-centric ethos. The label's catalog, a sculptural assembly of sound, leaned heavily into the tactile intimacy of the cassette — 11 out of its 12 releases pressed onto magnetic tape, each a fractal of the experimental scene's diverse impulses. Anchored by acts like Onehouse, whose tapes such as "Anus Mundi" (1985) and "Indonesian Cock Sucking Supreme" (1985) are process-driven soundscapes, Nude Records delved into the interdisciplinary, connecting seemingly disparate worlds. The singular vinyl release, Suede's "the Wild One" (1994), stands as a sculptural outlier within the label's collection, a testament to its eclectic reach. Galpern, with a history of working alongside artists as varied as The Slits and Simply Red, infused Nude Records with a sense of artist-centric exploration. Releases like "They Make The Law And They Make The Wars" (1983) by Zwijnepest and "Without Respect For The Pulpit" (1982) by Onehouse offered a platform for voices that resonated with the raw pulse of London's experimental core. Operating within an era where the physicality of sound was just as crucial as the auditory, Nude Records' commitment to the cassette format was both a statement and a necessity, capturing the ephemeral essence of its time. Each release, a sculptural artifact, continues to whisper the stories of its contributors, echoing through the corridors of experimental music history.