New Flesh Tapes

About

New Flesh Tapes emerged from the French underground like an auditory specter, active from 1989 to 2010, exclusively weaving its narrative through the cassette format. A small yet potent archive of 11 releases encapsulates the label's ethos: lo-fi aesthetics, found sounds, and tape manipulation creating surreal narratives and abstract compositions. This format preference was not simply a choice but a declaration, a commitment to the tactile, the tangible, and the ephemeral quality of magnetic tape. The label's sonic evolution is embodied in releases like John Hudak's "For Ivan Who Is Not Ivan" (1989), where found sounds meet exploratory tape manipulation to construct a space both intimate and expansive. Mortuary Attendant's contributions, with tapes like "People Who ve Had Half Their Brain Removed" and "Lustfinger," further sculpt the label's distinctive auditory landscape, each piece echoing through liminal spaces and challenging the boundaries of conventional listening. "Noise from Nowhere" (1989) stands as a unique sound artifact within the label's catalog, a collective endeavor featuring Mortuary Attendant and Eel O, a confluence of chaotic textures and haunting atmospheres that define New Flesh Tapes' interdisciplinary approach. With artists like Big City Orchestra and Hands To, the label curated a roster that embraced the process-driven, the fractal, and the exploratory — each release an invitation to traverse uncharted auditory territories. New Flesh Tapes remains a significant touchstone in the experimental music scene, its cassette-bound legacy whispering through the years, a testament to the enduring power of format as both medium and message.