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Why Industrial Was Never Dance Music — A Retrospective
Every few years someone re-frames early industrial as a precursor to techno. It is a tidy story and it is wrong.
The tape underground was built on refusal — of the club, of the groove, of the body as a unit of rhythm. To hear Pagan Muzak as proto-dance is to mishear it entirely.
The refusal
What the early labels shared was not a sound but a posture. The format itself — the cassette, dubbed in editions of forty — was the argument.
Comments (6)
This is the most useful thread I have read all month. Thank you for documenting it.
I disagree slightly — side A sounds warmer on the re-issue to my ears.
Great write-up. The postal-logic point reframes the whole edition-size debate.
The re-issue runs on the new master. Original is original, but the re-issue is cleaner by design, not by accident.
I disagree slightly — side A sounds warmer on the re-issue to my ears.